How Style Played a Role in Suffrage Movements

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Tell us a little about yourself. Where did you study? 

I grew up in New York City and London. I got my BFA in photography at Tisch School of the Arts, NYU, and then went on to get my masters from FIT in fashion and textile studies. Afterward, I did two years toward a Ph.D. in fashion history at LCF. Even as a little child, I was interested in fashion and especially historic fashion—poring over old photo albums, digging through trunks in my grandparents’ attic, obsessing over paper dolls based on past eras. As soon as I could read, I was learning about fashion, and then I started collecting vintage from secondhand shops and car boot sales when I was a pre-teen, so it is unsurprising that I made fashion history my career.

As a fashion historian, how would you describe your job to those who don’t know what that is? 

I study, research, and write about the interconnections between fashion and culture throughout history—looking to situate dress as an integral part of the culture, both shaping and shaped by how we live our lives. Most of my work currently is writing articles and consulting with brands about fashion history, but I’ve also curated museum exhibitions, written books, and given talks/seminars about fashion and cultural history.

You have a serious vintage collection. What era of clothing do you personally love and collect the most?  

I really adore 1967 to 1973. It was an era of real fantasy in fashion. Historic revivalism met Bohemian luxe in a theatrical ode to times past and far-off places.

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